State of Exception opens at Arizona State University Art Museum May 1st-August 8th, 2015. Info here
‘State of Exception’ exhibit presents indelible, haunting ‘human cost’ of undocumented workers entering U.S. from Mexico; opens Jan. 24
Text below from University of Michigan Press Release. Original version can be found here
For Jason De Leon, the story of undocumented migrant workers’ treacherous trek northward from Mexico through Arizona is a complex, layered contemporary narrative best told by what isn’t said, and what is left behind.
For the past four years, De Leon (photo left) – an assistant professor of anthropology at the University of Michigan – has directed a group of U-M students in an exhaustive collection and archeological documentation of clothes, personal belongings and odd bits of refuse left in the wake of undocumented migrants traveling along the U.S.-Mexico border. While De Leon’s Undocumented Migration Project (UMP) has received widespread attention in the national news media and especially in the southwest U.S., the Institute of Humanities at U-M is the first venue to present the expansive collection of found objects of De Leon’s meticulous chronicle, which some critics claim offers an evocative testament to the “human cost of immigration.”
The exhibit, “State of Exception,” opens Jan. 24, and features the videography of acclaimed photographer Richard Barnes, whose work has been exhibited at many prestigious museums in the U.S. Barnes’ video work, which complements De Leon’s humanistic undertaking, depicts the conditions and challenges of those making the journey while evoking the ambiguity of the found objects – water bottles, back packs, personal photos and wallets, forsaken shoes – that litter the desert path leading to the Arizona border.
The exhibit is part of the Understanding Race Project, the College of Literature, Science, and the Arts (LSA) theme semester which explores the many notions of race throughout the winter semester. From January through April, an extensive range of public exhibits, performances, lectures, symposia and more than 130 courses in several disciplines will explore the concept of race and its impacts. The historical, cultural, psychological and legal interpretations of race will be examined from both national and global perspectives. Highlights of the project include the “Race: Are We So Different?” exhibit developed by the American Anthropological Association and the Science Museum of Minnesota and “IndiVisible: African-Native American Lives in the Americas,” a Smithsonian Institution Traveling Exhibit.
As evidence of the historical significance of UMP, the collected items – which are kept in an intricate inventory of boxes at De Leon’s U-M office – will be transferred during summer 2014 to the Smithsonian Institute Archives.
“Together, the collected found objects and Richard Barnes’ photography reveals the nuances, complexities and violence of the culture of immigration along the southeastern U.S. border,” said Amanda Krugliak, who, as exhibition curator, selected a range of items to evoke the distinct experiences of undocumented migrants. “We hope the exhibit will inspire a range of conversations, from the power of ‘found objects’ to evoke stories and profound meanings, to a new way of thinking about immigration policy.”
Indeed, “State of Exception” could prove to be especially timely. In the next few months, President Barack Obama is expected to push for a major overhaul of the immigration system. The preliminary plan calls for a path to citizenship for the estimated 11 million illegal immigrates currently in the U.S. The controversial debate is expected to look at issues such as amnesty, payment of back taxes and a verification system to track legal status.